As life tamped down in 1921 under Prohibition, people sought to live vicariously through the uninhibited characters of stage and screen, characters this New York Times Magazine article called “the masher and swashbuckler.”
“The leaden lid of ‘Thou Shalt Not’ has been hammered down on us so tightly that the explosion of our suppressed healthy animality may become a classic example of Dr. Freud’s dictum: the way to revitalize an instinct is to suppress it.
Don Juan, d’Artagnan, and Bluebeard have invaded New York from beyond the artistic three-mile limit. [Those first two are references to the 1921 Broadway productions of Don Juan and The Three Musketeers, though I couldn’t ascertain the Bluebeard reference with certainty.] In film circles… there is talk of screening the life of that philanthropic highwayman, Robin Hood. [1922’s Robin Hood would star Douglas Fairbanks.]
The columnist Benjamin de Casseres then added this kicker:
If there is anybody missing, I haven’t heard of him. Satan?
One wonders if something of the opposite has happened these days. Part of the reason The Jerry Springer Show was cancelled in 2018 after 27 years was because audiences no longer felt the same need to turn towards the entertainment world to see deubachery like cheating on your spouse with an adult film star or vile language, when the president was doing the same. As Springer himself said, Donald Trump “took my show and brought it to the White House.”
And one of the most popular television shows to emerge in 2020 was the wholesome Ted Lasso.
Renaissance of the Masher and Swashbuckler
Published: Sunday, October 9, 1921