Tired of sequels, remakes, and reboots at the movies? By 1919, the movie business was already old enough that they were bringing back “classic” movies.
Hugo Riesenfeld, managing director of the Rivoli and Rialto Theatres, has started to show a series of the first Chaplin comedies, and Mr. Griffith [D.W. Griffith who most famously directed 1915’s The Birth of a Nation] will soon open a theatre in New York with a repertory of the films which made him famous.
The Chaplin pictures and the Griffith productions, in this sense, are revivals, and practically the first since the photoplay established itself. When [1915’s] “A Night in the Show,” the first of the old newcomers, was put on at the Rialto two weeks ago, the box office began to have one of the busiest periods of its existence.
So it’s not quite Chaplin and Griffith Episode VIII: The Last Jedi. Yet it was nonetheless something of a century-old precursor to the franchise system that has come to dominate Hollywood in the 2010s. Both developments relied on the essential idea that audiences want more of what they already know they love.
Lo, the Movies Have Achieved “Revivals”!
Published: Sunday, March 9, 1919